PENETRATOR 2 - GRUDGE DAY Dawn Connor - my daughter. Penetrator 1 was programmed to penetrate me, but he failed. Penetrator2 was sent to infiltrate a Down, but notbefore human sexual movement was able to send a single soldier to protect Down ... And now the question is: Who will be the first to fuck her!
Released: 1995
Genre: All Sex, Anal, Gonzo
Starring: Melissa Hill, Kaitlyn Ashley, Sid Deuce, Lovette, Kim Kataine, Selena, Alberto Rey, Jonathan Morgan, Christopher Sharp, Alec Metro, Tom Byron, Jay Ashley, Dick Nasty, Kyle Stone
Directed by: Nic Cramer
Released: USA / Zero Tolerance Ent.
Duration: 1:22:00
Translation: None Much more sexually explicit is Penetrator 2: Grudge Day, the porn take on the 1991 film Terminator 2: Judgment Day . In fact, as the title may imply, this Pleasure Productions film directed by Nic Cramer is virtually wall-to-wall hetero sex. That’s becauseFarrah Connor (Melissa Hill), confined toa mental health hospital because no one believes her stories of an apocalyptic future in which humans aresex slaves to machines, and her teen (18, it may be presumed) daughter Dawn (Kaitlyn Ashley) are being pursued by sex machines, the Penetrators. The original make and model of Penetrator (Alberto Rey) is out to help Dawn and her mother, whilethe evil P-1000 (Jonathan Morgan ) is out to destroy them.
P2 works best when it sticks close to the plot of the 1991 film, as when the good android helps Dawn spring her mother from the institution. The seemingly endless scenes of hetero sexbecome repetitive and boring after a few minutes, though the scenes of female solo masturbation are hot. Melissa Hill gives an especially passionate exhibition of frenzied self-love. The women-only scene best skipped is the creepy encounter between a busty guard and a comatose,drugged-out Farrah Connor.
Which is the better erotic film? It depends on what the viewer is looking for. P2 is closer to the mainstream film in style, look, and hard-rock soundtrack, and also very much more sexually explicit. The guys in P2 have great bodies, but aren’t given much of interest to do with them. The actors lack chemistry, and there’s no suggestion of any real emotion in this film. Even the mother-daughter relationship is oddly emotionless, as perhaps it needs to be, since the plot requires Farrah Connor to dream about her rebel daughter’s sexual future and to be with Dawn in very intimate circumstances.
